“There has long been a disturbing tendency among jazz aficionados to regard each innovation in the music as “progress”, a practice that sends the musicians who have been supplanted into the outer darkness” – Whitney Balliett.
I wanted to revisit the above quotation which began Part 1 of this piece, because the process of marginalization Balliett describes applies to few more than James P. Johnson. Johnson was a key pioneer of jazz piano, the founder and widely acknowledged king …